Wednesday, April 23, 2014

Elora Sculpture Competition - 2104...

... or, what else I am working on just this moment.

Proposal : Elora Sculpture Project / 2014

Title : 'Spears of Summer'


'Spears of Summer' overview

Design details

 (below is a copy of my original submission description)

Artist's Description :

' Nature or Nurture? How closely are our objects inspired by nature, and that nature be found in even our most aggressive tools? Is it form or function that dictates?
The art of the ancient Celts was clearly influenced by the natural world. Are we looking here at a bundle of weapons, warped back to organic shapes? Or a grove of plants, frozen rigid? '

'Spears of Summer' is born of organic shapes I have been working with for some years now. Forged metals can shape and flex in a very organic way, and these processes have joined with my long immersion in the designs of the ancient Celts and Norse.  Here individual shafts curve in an expanding helix from a circular base. Each ends in a flattened 'spear' shape. Individual blades are edge punched in the long strokes of Celtic Ogham runes. (The text I am leaning to is 'From the furry of the North, deliver us' *) These details are accented through the use of highlighting with contrasting coloured paint. The lower shafts and thick base are left untreated so to allow for natural oxidation with time.
This is intended as a tall sculpture, the scale an important aspect of the intended impact.


Technical Details :

There will be between 8 - 12 individual upright elements (determined by the visual impact at full scale). These are forged from 1 1/2 or 2 inch wide by 1/8 web angle steel. The spear shaped ends are each roughly 3 or 4 inches wide (as flattened), and roughly 18 inches long. The 'stem' is formed by collapsing the angle into a rough cylinder form.
The base will be an irregular circle, cut from 1/4 inch thick steel plate. Each of the stems will end in a threaded rod (welded into place). This will allow individual uprights to be simply bolted into place on installation. (This arrangement also permits a certain amount of modification of location and position of each element, allowing adjustment of the overall sculpture.)
The base plate will be prepared with holes allowing it to be easily mounted to the prepared support on site.

Asking price : $2500

Tuesday, April 15, 2014

Replica - Meat Spit from Lund

A recent order was for a replica of a Viking Age Meat Spit, the original object found at Lund Sweden:
Original notes - Spit on left
The starting stock for the shaft of the spit was 1/2 inch square mild steel. To duplicate the look of the original starting bar, this material was hammered to slightly reduce the 'industrial' dimension. This also creates a slightly irregular surface.
Showing the profile hammering (change at hammer peen)
Finished re-profile, first twist in place
The artifact shaft is twisted along its length. To mimic the effect of the original use of a smaller heat zone (via a Norse type charcoal forge), individual segments were reduced to roughly 10 cm long. Each segment was given two complete rotations. With careful work, the result is a subtle shift in pitch over the smaller individual segments.
Twisting individual segments

The 'spear' end started with a separate piece of 1/4 x 1 inch flat mild steel bar. The material was drawn to a tapered point (tapers in thickness as well as width) over about 30 cm. Then a diamond cross section was hammered, to create a double edged blade. This was intentionally left only 'hammer sharp' - in use, it is the sharp point that allows meat to be pierced.

Blade portion rough forged
Bar split to start drawing points
Points drawn to cylindrical points & curved forward
The next major step was fitting the two main elements. The base of the spear was compressed between the points. The end of the shaft was slit open, then forged down to fit the spear.

here
Two elements fitted for welding
The last steps were to create a round ring, then prepare the top end of the shaft for curving to a small loop to hold this ring. The material for the ring was forged round from 1/4 inch square stock - again to create the correct type of surface texture.

Completed ring installed
The finished meat spit was just slightly larger than the original artifact. Artifact at 110 cm / replica at 120. (This due to a simple math error on my part!)

Finished replica

Although not part of my standard 'inventory' of Viking Age replica cookware, I have in fact replicated this object a number of times in the past.

As detailed here, 2014 price would be $150 CDN.




Saturday, April 12, 2014

(don't) Give me the Gears

I had been approached in early winter by a designer in Toronto about some pieces for a custom home under completion outside Barrie. Part of the initial work was consulting on, and then building, a large frame that supported a series of lamps and hand blown shades. Part of the design used bicycle chains and various hardware fittings for an 'industrial' look. (The clients were avid cyclists.)
 There was a lot of back and forth on the next part of the overall project. This was a set of air vent covers, to be installed into the large stone fireplace that was a main feature in the same large open plan kitchen / dinning / living space.
I had been given a large box of assorted gears and chains to employ in all of this. The designer's concept was to use randomly placed sprockets and gears to make the 'fill' for the air vents. The actual placement and patterning of these elements was my choice. Originally, the individual frames were to be roughly 6 x 16 inches.

I had spent two afternoons up to my elbows in solvent, first cleaning all the parts of the grease and dirt, then dis-assembling portions of the gear clusters (then cleaning them again). The pieces were sorted into four piles based on composition : alloy / chromed / plain steel / plastics; then further by size.

Creating the frames proved more of a challenge that I first expected. The designer wanted a thin line showing around the edges, but this needed to be balanced around providing structure and enough surface to join the gear pieces too. Initially we had settled on using 3/4 angle as the frame material. Later the composition of the fireplace stone was changed, so it was determined the depth of the frame needed to be 1 1/2 inches. The size was also changed down to 6 x 11 inches OD.
Now, you can not get 'off the shelf' 1 1/2 x 3/4 angle. At first I considered cutting down 1 1/2 web material to the needed 3/4 width. Even with the smaller dimension, that would still be several feet (several hours) at the band saw. In the end I contacted my steel supplier (Krueger Steel in Owen Sound) and asked about having the dimension stock I needed just fabricated. The balance of time saved against cost was good - and they had the material to me in about a week.

The frames were desired to be a flat black. I decided to use as many chromed parts as possible in the gear elements. The designer felt (correctly) that it would be possible to spray the whole thing over with flat black if she did not like the resulting look.
Part of the concept with the gears is that they would overlap the frame, so some of the larger pieces were cut and offset. I also used a number of gear clusters, to give a three dimensional effect to the finished grills.

And here they are:





A note on the images: I decided to use the hand held shots, with natural lighting. This does mean the individual images are a not 'crisp'. I did take shots with the flash, but they lack the warmth and depth of these (slightly blurry) natural light images.
 

February 15 - May 15, 2012 : Supported by a Crafts Projects - Creation and Development Grant

COPYRIGHT NOTICE - All posted text and images @ Darrell Markewitz.
No duplication, in whole or in part, is permitted without the author's expressed written permission.
For a detailed copyright statement : go HERE