Thursday, September 02, 2010
Iron at Heltborg
http://www.bjorgvin-handverkslag.net/24936672
This is a team working at the Heltborg Museum in Denmark - I believe under Jens Jørgen Ølsen.
The site includes a short video clip of the extraction and initial compaction of their bloom. They are using wooden tools for this. First is a tool like our own 'Thumper' (a section of 10 cm diameter log). Where we use this inside the smelter to compact in place, here you will see it used in conjunction with a stone anvil. Primarily it is used to strike off the loose 'mother'. Then the action switches to what Mike McCarthy calls a 'Troll Hammer' - a short section of log sent on a long handle. The effect for initial compaction is impressive!
Wednesday, September 01, 2010
Vinland Iron Smelt - a Reporter's View
First, a look from the outside...
- From 'The Northern Pen'
- Published on August 30th, 2010
- (full text on their web site)
- by Emma Graney
Ancient technique revived at L'Anse aux Meadows
EMMA GRANEY PHOTO
Ken 'Grettr Blackhands' Cook explains the workings of L'Anse aux Meadows' second bog iron smelt in 1000 years.
Last weekend L’Anse aux Meadows was filled with the sound of vikings singing and chanting, punctuated by the hissing spit of freshly smelt iron and the clang of hammers beating the red-hot bloom.
Donned in traditional viking attire, re-enactors from Ontario and site interpreters from Parks Canada spent a sweaty day’s work layering charcoal upon raw iron ore inside a hand-built furnace and pumping the bellows to transform 20 kilograms of iron ore into almost three kilograms of iron.Using a technique lost almost 800 years ago the group re-created a bog iron smelt — just the second to take place at L’Anse aux Meadows in 1000 years.
“I came a long way to make iron here,” said Ken Cook, otherwise known as Grettr Blackhands, his bushy beard only partially obscuring the huge grin spreading over his face.
“When we were doing it we were all floating on air. It was pretty exciting.”
The all-day activity was arranged in conjunction with the Dark Ages Re-Creation Company (DARC) as part of L’Anse aux Meadows’ 50th anniversary.
Darrell Markewitz, an artisan blacksmith and founding member of DARC, developed the training for the viking re-enactors at L’Anse aux Meadows and Norstead, and was instrumental in organizing this year’s demonstration.
“The problem with viking history is that it’s so far beyond people’s experience,” he explained last week.
“We’re talking about things that happened a thousand years ago — people have nothing to relate that to because it’s just so different. The easiest way to help them understand what objects were used for and what vikings were about is to use living history exhibits and this is a prime example of that.
“When you look at these demonstrations they put archaeological items in context and they create this multi-faceted learning that everyone can get into. It doesn’t matter if you have regular visitors, people with learning or physical disabilities, it doesn’t matter what language people speak, all class of visitors benefit and go away knowing a whole lot more.”
Preparation for the 10-day demonstration at L’Anse aux Meadows was no mean feat.
For 18 months members of DARC re-created Vinland viking gear to the smallest detail, including replacing the wooden handles of their knives with antler to ensure they were geographically appropriate and developing viking characters that fitted with the time period.
“We’re not playing high kings here, or warriors, because they’re not the people who were here at Vinland,” he said.
“All of our costuming, our instruments — we fine-tuned everything so that it aligned with what we know from archaeology, from history.
“The 50th anniversary is an important time and we were quite excited when we got the chance to do this so we made a serious effort to do a good job.”
The bog smelt wasn’t the only thing on show at the 10-day living history exhibit.
Working with the L’Anse aux Meadows site supervisor Loretta Decker, the group formulated a list of activities and elements of the viking village to recreate for visitors.
“Of course history is a huge part of it all — making sure everything is just as it was back then — but we also had experimental archaeology with things like glass bead making,” Mr Markewitz explained.
“No one ever made glass beads at Vinland, but it was part of the wider Norse culture so we recreated an old technique so people could see how they came about.
“Doing that shows the bigger picture, helps put activities into context, shows more skills, helps develop the skills of the Parks Canada site interpreters who’re here to learn, and by doing all that it creates a better experience for every person who visits the site.”
Other activities included pewter casting in stone molds, wood turning and weaving.
“The public, I think, were extremely happy with their experience and the Parks Canada interpreters got to learn so much, which they can hopefully develop and use at the site next summer,” Mr Markewitz said.
“We got to recognize the faces and some people who planned to stay an hour or two ended staying the whole day — one couple came back three days in a row.
“That’s the value of this, of living history. People learn, they’re interested and they enjoy it.”
egraney@northernpen.ca
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This article is copied from the Northern Pen web site - text and image by Emma Graney.
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Steve sent me this link - to a version of the article published on the Newfoundland Telegraph. Same text, but different (actual smelting) images.
Tuesday, August 10, 2010
Oatmeal Sealling an IRON cookpot
As the seams of the pot were riveted, to get it liquid tight, a historic method was indicated as well. This is a fast look at the 'cook some oatmeal' method.

Here is a nice view of the pot when first placed over the fire in the cooking shelter here at Wareham. The simple hook style trammel is also loosely based on a Norse artifact, and was made specifically for the upcoming DARC at LAM 2010 presentation.

The pot was first heated, then a pre-soaked mixture of oatmeal was added. I had used all the oats we had on hand, maybe about enough (unsoaked) to fill a one litre container. I suspected the seam along the bottom of the cylinder, where it attached to the dished base, to be the most likely to leak. For that reason, I wanted to start the process with fairly thick material.

To effect the side seams as well, I filled the pot with water, mixing up a medium thick 'gruel'. The result was something more like a thick oat soup than 'stop a bullet' breakfast oatmeal. I have not directly measured the volume of the pot, but it must be something about four litres.

This closeup shows the spot which initially leaked the most. Although when the full addition of water was made, it did run out a bit, that was reduced to a dripping after a couple of minutes. I tried to catch a drop just as it formed and fell in this image. After about five minutes however, even that one per second dripping had stopped.
In keeping with the method, after I dumped the contents (happy pond fish!) I scrubbed the interior with sand - but the interior only. Any baked debris were left on the outer surface. The whole process was fast and easy. If I had a hall full of Norse to feed, the oatmeal gruel would not have gone to waste.
I expect Vandy / Bera may have some commentary on her blog later - when the pot is used to cook lunch for us all at L'Anse aux Meadows starting next week...
Sunday, August 01, 2010
Out of touch in AUGUST

August 1 - 8 : Celtic College / Earth, Air Festival - Goderich
August 16 - 25 : DARC at Vinland - L'Anse aux Meadows NHSC
That second also includes four days each end travel to north Newfoundland (Its as far as you can drive!)
So for friends and general inquiries, I will only be in spotty communications for most the month of August.
" See you, In September "

'On the Viking Saga - 1995' Photo by Susan Gold
